Nine no-budget horror/comedy shorts that explore themes of murder, death, revenge, self-mutilation, stalking, clones, hell, and weird squid babies.
“治(🍑)癒”睡眠，挑战人(🖋)类(lèi )清醒极(🙃)(jí )限(🎄)！
法(fǎ )国《电(dià(💊)n )影手(shǒu )册》2018年(niá(🏻)n )度期待榜单(🎁)重点(🏼)推荐影片之一，影片采(🥄)用16mm胶(🎿)(jiāo )片拍摄(shè(✒) )，具(jù )有(yǒu )极致(😂)(zhì )的迷幻(huà(🍙)n )色彩(😆)，影像超级大(🌊)胆，故事讲述5个(🌠)热爱艺术(shù(🚻) )的“野(🕢)(yě )小子(zǐ )”的罪(zuì )恶之(🚸)行(há(🔕)ng )，让人想到库(🈳)布里克的《发条(👺)橙》，而这5位(wè(🌂)i )“野小(🗃)(xiǎo )子”则(zé )正由(yóu )5位女演(yǎ(🎰)n )员“扮(bàn )演”，涉(🈁)及到了不少情(🛫)色元素，探讨(🤩)(tǎo )了(🏑)性别(bié )结构(🏓)。
Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask: "Have you changed?
《莫(mò )霍克人(ré(😪)n )》立意(yì )为历(😇)史剧(🚺)，发生于1812年第二次独立(🤱)战争(🏎)(zhēng )接近尾(wě(🙇)i )声之时(shí )，但(dà(📄)n )随(suí )着美(mě(🚄)i )国原(🚅)罪(zuì )在眼前(👇)展开，由此产生(🐀)的神秘色彩(👑)和恐(🌱)怖效(xiào )应让这(zhè )部影(🦍)(yǐng )片(🛷)(piàn )真正(zhèng )成(✝)了令(lìng )人毛骨(🏁)悚然之作。
2017戛(😕)纳影(😶)展导演双周单元闭(bì )幕片(🏳)。美国导(dǎo )演(🎲)吉(jí )瑞米杰(jié )斯伯编(biān )导(➕)作品(🈶)，丹妮尔麦唐(🌭)诺主演。故事描(🎎)(miáo )述一个(gè(🐹) )乡镇(🎸)女(nǚ )孩，追寻饶(ráo )舌美(🚰)国(guó(🅱) )梦的故事。
首页
电影